‘Crossing Borders: The Dramaturgs’ Network and The Fence’2020Crossing Borders, Pt 3: On the (Digital) Threshold/Atravesando Fronteras, parte 3: En el umbral (digital), Literary Managers and Dramaturgs of the Americas‘Eating for Victory’: Making Small-Scale Immersive Theatre in the UK2020Journée d’Études sur le Théâtre Imersif, Théâtre Lepic (Paris)‘Indecent’: Challenging Narratives of the American Dream Through Collaborative Creation and the Dramaturgy of Memory2018American Dramaturgies for the 21st Century, Université Paris-SorbonneMarxist Dramaturgy before Brecht: Erwin Piscator and The Adventures of the Good Soldier Schwejk2012TaPRA Annual Conference, University of KentAdaptation as Reinvention in New, Company-Driven Theatre-Making in Britain2010Adaptation and Translation Conference, Queen Mary College, University of LondonThe Disentanglement of Writing and Authorship in New Collaborative Performance-Making in Britain201021st Century Writing in Britain Conference, University of LincolnNew Collaborative Theatre-Making in Britain as a Product of and Response to a Mediatized Society2009Producing Culture Colloquium, Goldsmiths College, University of London
‘Eating for Victory’: Making Small-Scale Immersive Theatre in the UK2020Journée d’Études sur le Théâtre Imersif, Théâtre Lepic (Paris)‘Indecent’: Challenging Narratives of the American Dream Through Collaborative Creation and the Dramaturgy of Memory2018American Dramaturgies for the 21st Century, Université Paris-SorbonneMarxist Dramaturgy before Brecht: Erwin Piscator and The Adventures of the Good Soldier Schwejk2012TaPRA Annual Conference, University of KentAdaptation as Reinvention in New, Company-Driven Theatre-Making in Britain2010Adaptation and Translation Conference, Queen Mary College, University of LondonThe Disentanglement of Writing and Authorship in New Collaborative Performance-Making in Britain201021st Century Writing in Britain Conference, University of LincolnNew Collaborative Theatre-Making in Britain as a Product of and Response to a Mediatized Society2009Producing Culture Colloquium, Goldsmiths College, University of London
‘Indecent’: Challenging Narratives of the American Dream Through Collaborative Creation and the Dramaturgy of Memory2018American Dramaturgies for the 21st Century, Université Paris-SorbonneMarxist Dramaturgy before Brecht: Erwin Piscator and The Adventures of the Good Soldier Schwejk2012TaPRA Annual Conference, University of KentAdaptation as Reinvention in New, Company-Driven Theatre-Making in Britain2010Adaptation and Translation Conference, Queen Mary College, University of LondonThe Disentanglement of Writing and Authorship in New Collaborative Performance-Making in Britain201021st Century Writing in Britain Conference, University of LincolnNew Collaborative Theatre-Making in Britain as a Product of and Response to a Mediatized Society2009Producing Culture Colloquium, Goldsmiths College, University of London
Marxist Dramaturgy before Brecht: Erwin Piscator and The Adventures of the Good Soldier Schwejk2012TaPRA Annual Conference, University of KentAdaptation as Reinvention in New, Company-Driven Theatre-Making in Britain2010Adaptation and Translation Conference, Queen Mary College, University of LondonThe Disentanglement of Writing and Authorship in New Collaborative Performance-Making in Britain201021st Century Writing in Britain Conference, University of LincolnNew Collaborative Theatre-Making in Britain as a Product of and Response to a Mediatized Society2009Producing Culture Colloquium, Goldsmiths College, University of London
Adaptation as Reinvention in New, Company-Driven Theatre-Making in Britain2010Adaptation and Translation Conference, Queen Mary College, University of LondonThe Disentanglement of Writing and Authorship in New Collaborative Performance-Making in Britain201021st Century Writing in Britain Conference, University of LincolnNew Collaborative Theatre-Making in Britain as a Product of and Response to a Mediatized Society2009Producing Culture Colloquium, Goldsmiths College, University of London
The Disentanglement of Writing and Authorship in New Collaborative Performance-Making in Britain201021st Century Writing in Britain Conference, University of LincolnNew Collaborative Theatre-Making in Britain as a Product of and Response to a Mediatized Society2009Producing Culture Colloquium, Goldsmiths College, University of London
New Collaborative Theatre-Making in Britain as a Product of and Response to a Mediatized Society2009Producing Culture Colloquium, Goldsmiths College, University of London